Rancid – Life Won’t Wait

Well, we’re getting down to it now guys.  In what looks to be a certain member’s last of the inaugural picks, this Tuesday kicks off with:Rancid-Life Won’t Wait
http://en.wikipedia.org/wiki/Life_Won%27t_WaitHere’s the playlist.  I haven’t listened to it all yet, and wouldn’t know what it should sound like if I had, so if there are any problems (beyond the usual intermittent skipping that sometimes happens) someone more knowledgeable please let me know.
http://grooveshark.com/#/playlist/Rancid+life+Won+t+Wait/58885628I’m going to try to add another album to the (more or less) official site today and also, if you’ve got some picks already in mind to keep this thing going, please let me know.  I’d rather be adding them as they’re thought of and that way it’s easier to keep organized and avoid duplicates, so don’t hesitate!

 

Josh:

Rancid – Life Won’t Wait: 4 starsPrecon: Late 80’s/early 90’s hardcore punk? I think my brother used to listen to them so I’ve probably heard a few songs.

Favorite Track: Crane Fist, everything but the vocals on the verses
Least Favorite: Crane Fist, the vocals on the verses

Obnoxious opening but that’s probably what they were going for.
What’s with the way he’s singing on Hoover Street?
So I guess they’re not hardcore, more like ska punk.
Like the piano and bass on Crane Fist, but the vocals are pretty bad. The voiceover in the beginning sounds like it’s from a Wutang movie. I kept waiting for “Wutang shadowboxing in the Shaolin sword style…”
The last half of the album blended together a little, a first listen symptom I’m sure, but Coppers caught my attention and provided a strong finish.
Not quite what I expected from these guys. Some memorable tracks, and I think others will stand out on future listens. Enjoyable overall.

Marissa:

Preconceptions:  I’ve only heard of Rancid because I went through a pop-punk phase from high school to college and Rancid was one of those bands, along with Social Distortion, that basically every one of those bands listed as an “influence”.  I have a feeling they’re a little more hardcore than any of the bands I’ve listened to.Hoover St.-way more relaxed than I expected from this band.
Life Won’t Wait- the reggae influence is super heavy here.  Maybe I’ve had misconceptions about punk the whole time, thinking all of it sounded like The Sex Pistols. But I’m not a fan of the constant repetition.
Cocktails-I like the prevalence of the harmonica on this song.
The Wolf-I enjoyed the surf-music style guitar breakdown in the middle.
1998-I’m certain, although we did talk about The Monkees some last week, that I hear some of their song “Valerie” in part of the chorus.
Lady Liberty-I wish that was a stand up bass on this one, maybe it is.  More of a Rockabilly feel on this one.
Corazon De Oro-I like the Spanish name title, but if you’re going to go that far, why not throw in some Spanish intruments or even a mariachi feel.  This seems like either a deliberate mislead or a missed opportunity.

After Listening: The good news is that Rancid doesn’t sound like I thought they would.  This album on the whole is nowhere near as heavy as I thought it would be.  That’s not to say that it doesn’t up the ante on some songs, but I mean, in general, I expected more anger, or at least, more angry vocals, I think.  That being said, I didn’t love the vocals as they stand.  I don’t like the fact that none of the words seem to be finished, they’re just kind of hanging there and slurred stupor, when the angrier harmony isn’t taking over.  This isn’t an album that’s got a storefront in my alley though.  There were a couple of songs that had different sounds to them, but on the whole, most were similar, and the repetitive nature of most of the choruses began to wear after a while.  If there had been fewer tracks this wouldn’t have been a problem, but I think the album goes one for about 5 tracks too many, despite the under-3-minute nature of them.  In small doses I could handle Rancid, like on a mix tape or something, but I don’t think I’ll be doing a full album for a while.

Favorite Song:
Backslide- I can’t help it, I love horns in an arrangement (that’s a sentence that’s impossible to make it sound like anything less than an innuendo) It’s also one of the songs where I could manage to make out at least 60% of the words.  That made me happy.
Lady Liberty-I like that it stands out more to me than the rest.

Least Favorite:
Wrongful Suspicion- This sounds like an Andy Samberg digital short.

Overall: 3.2

Mike:

Preconceived Notions: I don’t know much about these guys, apart from the few songs that I’ve heard really don’t appeal to me.  Are they punk?  Hardcore?  Don’t really remember so we get to find out…I suspect it will hurt.After Listening:  It’s funny, because while these guys seem to fall under that punk label, I hear a lot of mimicness of rock anthem styles (and ska, and reggae) on this record.  Certainly most of their tempos, breakdowns, and choruses mirror rock song structure.  Heck it might only be the vocals and lyrical content that prevent this from crossing that border into pop punk.  Musically this is sort of a snooze button affair….I wanted to hear more of those “cut loose” high intensity riffs and they just weren’t happening.  Some of the songs are catchy enough to not become stale, particularly those where the bass is prominent, but too often for me the album wanders into reggae influences and repetitiveness.  In fact, I’m pretty sure this album could’ve been 5 songs and it would’ve said everything it had to say (at least musically). Considering there are like a hundred songs on here – repetition should have been one of the chief concerns, unfortunately the formula is underway and unchanged for over half of the thing. I do like the attempts to use samples on the record as both their own tracks, and intros on songs (cf Crane First) –it’s an effort at least to frame things a new way…ultimately it’s not nearly enough…but I appreciate the effort.

Favorite Tracks: “New Dress” – Starts off with a Beatlesque guitar line, and then gets taken over by a poppy bass.  The walking bass line and the multivoiced vocal backing really pull the song along.  Still there’s some nice drumming on this – it’s so nice to hear solid downbeats on this record J
“Leicester Square” –  The lyrics and the guitar tone scream gritty, the bass and the drums and the chorus scream catchy pop – it’s a little schizo, which makes it interesting…and at no point does it lose focus.  A nice surprise amid a string of similar songs at this point in the album.  Poppy angst.
“1998” – Probably the best guitar work on the album, and some excellent bass work…more raw sounding than most of the tracks on the album, and that’s a very good thing – b/c it gets outside of the package for a bit.

Least Favorite Tracks – “Hooligans” – Just generic and clichéd ska. Nothing redeeming.
“Cocktails” – See Hooligans

Overall 2.7 This didn’t hurt as bad as I feared it would. To me though, this is pretty much the definition of an average album.  They do mix in rock, reggae, ska- and I guess “punk” so they were trying at least musically to branch out.  But to me it just gets bogged down in a lot of the same old clichés – and honestly if they changed the lyrics many of the songs on this album could be Bosstones or Madness or someone in that ska/pop realm.  It has catchy parts which are undeniable, I was just too often looking at the track time and waiting for the next track – only to find more of nearly the exact same tune.

Paul:

Rancid – Life Won’t WaitPreconceptions: I own this album, have listened to it only a couple of times, I like it, although I’m not much of a Rancid fan.

After Listening: What I appreciate about this record is that I sense a lot of effort and heart-and-soul in it. It really weaves together the bands influences very well, and I like the collaborations with true Jamaican musicians, as well as musicians I respect, such as Vic Ruggiero—who I never realized had such a strong hand in this album. You can hear his influence very distinctly in certain songs, especially Wrongful Suicide, which sounds very much like it could be a Slackers song. So, in all I would say that I like this album and would listen again some time down the line.

Favorites: Bloodclot, The Wolf, Wrongful Suicide… I guess
Least: hmmm, I suppose Corazon de Oro doesn’t really do it for me.

Overall: 4 stars

Seth:

Rancid – Life Won’t WaitPrecon- My pick, and one of my favorite albums.

Favorite tracks- Hooligans reminds me of my late nights drinking, fighting, and breaking things with the Hellbound boys and Dirtbag Massive. Life Won’t Wait featuring Vic Ruggerio and a post-homophobia/pre-conviction Buju Banton. Warsaw, despite Tim’s muddy enunciation. Who Would Have Thought were my exact words when the ring slipped on my finger last October, Lady Liberty acknowledges the Clash’s influence on the band, and Wrongful Suspicion which is basically a Slackers song with Tim Armstrong.
Least fave- Intro: I’m sure everyone knows how I feel about non-track tracks on albums.

Overall: Rancid’s last album for Epitaph closed the door on the 1990s with their best work. Guests like Linval & Roddy Radiation from 2Tone band The Specials, Dr Israel on Coppers, The Bosstones’  Dicky Barrett on Cash Culture & Violence , Greg Lee & Alex Desert on Hoover Street, and Agnostic Front’s Roger Miret on Something in the World Today all help Rancid break out of Berkley with a distinctly NYC meets Kingston sound. As usual, Matt Freeman’s bass stands out musically while Lars and Tim play Good Cop/Mumbling Cop on vocals.

Rating: 5.0
Extra Credit:  Check out http://www.youtube.com/watch?v=ch_23yUugHg Bass Drop mix of Coppers, and Rancid- Rancid. The follow up album is completely different, with a straight up hardcore effort.

admin (196 Posts)

Record Club began in the cold, dank, snowmageddon scene that was New England of January 2011. We’re probably no different than you. We all work in cubicles, some in smaller, less private cubicles than others; that just means we have to be even sneakier about how we listen to our music. But we have to listen to our music, mostly as a way of saving our own personal sanity. Sometimes our opinions lead us to debates that may or may not be published in their entirety on this site, but I can promise you’ll at least get a glimpse of the way our minds work. The main goal is to find new music we like or find old music that we didn’t know we liked. Sometimes we succeed, sometimes it’s a total and complete disaster. After our ears have rejoiced or stopped bleeding we try something else. This is our pattern, every Tuesday and Thursday. Sometimes, when the club isn’t officially in session, just to keep everyone on their toes, we throw in a theme day. We’re beginning to run low on our original list, so please, if you have albums that you’d like us to review or themes that you’d like to see our playlist of, feel free to contribute. After all, we’re all in this together once we punch the time clock. So if you’re busy (or just plain bored) lurking in your cubicle as you read this join in. After all, life wasn’t meant to be lived staring at a computer screen. I guarantee you, it’s at least more fun when you plug the headphones in.


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