Review: Amanda Palmer and the Grand Theft Orchestra – Theatre is Evil

I’m not going to lie to you. I have heaps of things that are currently in my review queue, but a part of me feels like if I do not get this out I will explode. You know that feeling when you gorge in November on Turkey and other various carb-loaded goods (To-furkey for all y’all vegans) and sit down on a recliner and just want someone to rub your tummy? Yeah… Theatre is Evil is my motherfucking yams*, y’all.

 

Earlier this year, Amanda Palmer launched a Kickstarter to produce her latest album. It made so many different news feeds, I could link to it, but I like to pretend that many of the new stations don’t exists… Anyways… In exchange for helping there were several tiers of gifts and packages that you could buy into. Sadly, since I was planning to move (and have since moved and have no steady paycheck) I could only invest a small amount to the cause.

 

Last night I received my code for the Deluxe Digital Download. I had already turned off my computer for the night and was inching my way to my bedroom when I checked my phone and found the email. I immediately rushed to my computer to turn it back on and downloaded it with the impatience of a two year old in a room full of brightly wrapped presents.

 

Instead of sitting in bed, wishing that I could just demand my body to sleep, I went through all of the computer-centric content (art and videos) and loaded the album unto my phone so I could listen to it on the way to my temp gig in the morning.

 

This morning, I pressed play and started the drive to work. As it will be difficult to keep my train of thought, I figured that since I did a Record Club review of the Dresden Dolls album “Yes Virginia…” I would do a special “Theatre is Evil” review.

 

Amanda Palmer and the Grand Theft Orchestra – Theatre is Evil

 

Preconceptions:

 

Well, I have been getting non stop kickstarter updates from Amanda in regards to the progress of the tour and art and boobies and stuff so I have been very excited about the release of the full album. I had the opportunity to watch the music video for “Want It Back” and hoped that the album would kick my metaphorical dick off.

 

Mood:

 

Introspective and kind of meh.

 

After Listening:

 

My metaphorical dick has been kicked. The album is incredibly well produced and thought out. There were surprises in songs when I thought I was going to be hearing something and heard something else.

 

I’m going to pull from my old review of earlier Palmer werks (because I’m lazy and admittedly a little drunk [This is a double-edged sword as I now want to make out with Amanda Palmer {.. again…}]) “Dresden Dolls/Amanda Palmer tends to be a very polarizing force when you are first being exposed to the tracks. Regardless of how you feel about the delivery of the words, Palmer is a wordsmith. She is a smith of words. Her piano is her anvil.”

 

As much as I miss Viglione on this album, I know that this is a completely different beast from the Dresden Dolls. If you are a nerd (like I am), think of it as “Amanda Palmer’s Monster Manual”. The addition of the Grand Theft Orchestra players Jherek Bischoff, Chad Raines, and Michael McQuilken is absolutely lovely. Oh! And when I heard the last name “Raines” I assumed that the invisible man procreated. Sorry darlin’. I bet you get that a lot. But… you’re Australian and I totally have a crazy girl boner for that fucking continent (Fuck… I’m sorry, Mom and Dad. I should have warned you earlier to not read this.)

 

Enough! Review time!

 

Favorite Tracks:

 

Want It Back – EVERY time I hear this song I assume that I’m about to hear song crazy techno remix of an already remixed J-Pop song, then it breaks to the piano and Amanda and grows to a song that (to me) is vaguely reminiscent at points of early R.E.M. and, for some strange reason, some of her syllabic extensions remind me of Tears for Fears and A-Ha.

 

Grown Man Cry – This song made me both laugh and realize that I have similar tendencies as “those girls” that is being referred to.

 

A Grand Theft Intermission – Honestly, the initial riff had me thinking of the Reigning Monarchs surf punk instrumentals. I loves me some Reigning Monarch. The intermission, however, felt like a matador and an operatic diva were battling to the death over a single rose. It is amazing the amount of imagery you can get from instrumentals.

 

The Bed Song – I should have actually heard this many months ago. My friend (Elfie) sent this to me, saying “OH EM GEE ALI LISTEN! DIS IS Y I CHIP IN TO MANDAPAHMR KICKSTARDER” (yes, I hear my friends as LOLCats, which as I think about it is probably an enormous insult.Elfie/Jackie is one of the most brilliant people I know). I, of course, went “that’s awesome” and didn’t listen (because I’m an asshole and forget to do things and was responding from my phone at work and didn’t have my headset). Last night, I listened to this song and cried for two hours. I didn’t mean to keep track of the time. I simply sent a message to a friend who I worried was going to end up this way including the lyrics and a youtube clip, so I have a time stamp from the moment I started panicking and crying. That is not a bad review in the least. I recognize that the experiences listed in the song are those that I do not want to experience, however, the song painted a picture so real it crippled me. THAT IS FUCKING ART, YO!

 

(OH! BTW!!!!! If someone can get me a copy of the Bed Song Book [as offered in the Kickstarter package], I will get an Amanda Palmer lyric tattooed in a half circle DIRECTLY under my breast if you send it to me [AND I WILL Instagram the shit out of it too]. Lyric is negotiable. I do get final say as it’s my flesh, but it will be an AFP lyric.)

 

Least Favorite Tracks:

 

If I were to pick something, it would be Smile (Pictures or It Didn’t Happen). While it is my least favorite of the moment, I am sure that listening to it over and over again it will endear itself to me. Amanda’s voice has a tendency of doing that. Her diction is crisp and her phrasing is deliberate.

 

Overall (1-5 stars): 5

 

Amanda Palmer and Kickstarter took my $5 and gave me an emotional rollercoaster that I am eager to ride over and over and over again.

 

OH! And because I couldn’t donate much but got the $5 Deluxe Digital Download version, I still got a bunch of art and videos and B-Sides, so neener-neener.

 

* I love yams like I love my mom

Leave a Reply

CommentLuv badge